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Home> Journal> Substance 90

Issue 90 Special Issue: Guy Debord

Volume 28—No.3—1999
Table of Contents
  • Introduction

    Pierpaolo AntonelloOlga Vasile
  • The Master of the Revolutionary Subject: Some Passages from the Life of Guy Debord

    Roberto OhrtRonald Helstad
  • L’Internationale Situationniste, Socialisme ou Barbarie, and the Crisis of the Marxist Imaginary

    Stephen Hastings-King
  • Hurlements en faveur de Sade : The Negation and Surpassing of “Discrepant Cinema”

    Allyson Field
  • Portrait of Guy Debord as a Young Libertine

    Odile PassotPaul Lafarge
  • An Aesthetic of the “Grand Style”: Guy Debord

    Mario PerniolaOlga Vasile
  • Sic Transit Gloria Artis: “The End of Art” for Theodor Adorno and Guy Debord

    Anselm JappeDonald Nicholson-Smith
  • Debord, Cybersituations, and the Interactive Spectacle

    Steven BestDouglas Kellner
  • Guy Debord and the Problem of the Accursed

    Asger JornRoxanne Lapidus
  • Caribbean Creolization: Reflections on the Cultural Dynamics of Language, Literature, and Identity (review)

    Aletha D. Stahl
  • Camus: Portrait of a Moralist (review)

    Steven Hartlaub
  • Monolingualism of the Other; or, The Prosthesis of Origin (review)

    Didier Maleuvre
  • Women in Dada: Essays on Sex, Gender, and Identity (review)

    Katharine Conley
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