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Home> Journal> Substance 108

Issue 108 French Cinema Studies 1920s to the Present

Volume 34—No.3—2005
Table of Contents
  • Le Cinema du diable: Jean Epstein and the Ambiguities of Subversion

    Ludovic CortadeRoxanne Lapidus
  • Roland Barthes’s Cold-War Cinema

    Philip Watts
  • Godard, Rohmer, and Ranciere’s Phrase-Image

    Aimee Israel-Pelletier
  • The Prescience of Elie Faure

    Margaret C. Flinn
  • Alchemies of Thought in Godard’s Cinema: Deleuze and Merleau-Ponty

    Elena del Rio
  • The Woodcutter’s Gaze: Luc Moullet and Cahiers du Cinema

    Sam DiIorio
  • Cinema and its Discontents: Jacques Ranciere and Film Theory

    Tom Conley
  • Typewriter: Free Indirect Discourse in Deleuze’s Cinema

    Louis Georges Schwartz
  • Pierre Guyotat: Essai Biographique (review)

    Stuart Kendall
  • International Encyclopedia of Linguistics (review)

    Laurence M. Porter
  • Jacques Roubaud: l’amour du nombre (review)

    Peter Consenstein
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