Article

A Note on Deleuze and Renaissance Art

Jimena Berzal de Dios
Issue 139
...Withdrawn and private, the Renaissance appears not as a compelling or enticing adversary, but a bureaucratic administrator of the state machine, instituting universal regulations and a system of surveillance without...
Article

Intermediality: Axis of Relevance

Rémy Besson
Issue 138
...digital productions. In such cases, intermediality is a tool that is placed in the service of a comparativist and multidisciplinary approach to research (Mueller). As a concept, then, it is...
Article

Poems and Monsters: Pierre Alferi’s “Cinépoésie”

Éric Trudel, Roxanne Lapidus
Issue 123
...to one of his recent titles, everything begins. Ça commence à Séoul (2007) is the result of a collaboration between Pierre Alferi and sculptor Jacques Julien. In this poetic and...
Article

Sound Ideas: Music, Machine and Experience (review)

Christopher Roberts
Issue 123
...silence nor noise nor mere sound, music is sound marked, qualified, stereotyped, somehow distinctive, and thus communicative. Music research presents practical challenges as well. While a scholar discussing a painting...
Article

Liberation Theology: Deleuze and Althaus-Reid

Kristien Justaert
Issue 121
The contemporary relation between theology and philosophy is a complicated one, but there is at least one strand in theology that has always explicitly used philosophical mediations to clarify and...
Article

Exemplary or Singular?: The Anecdote in Historical Narrative

Malina Stefanovska
Issue 118
Although coming from different perspectives and periods, the two quotations above speak of the ambivalence that modern historiography has systematically displayed toward the anecdote since Voltaire. An anecdote—defined here as...
Article

Habit, Reason, and the Limits of Normativity

Simon Lumsden
Issue 117
...count as a reason it must be able to be recognized as a reason by our interlocutors and be something that we can individually and collectively commit ourselves to—that is,...
Article

Wong Kar-wai’s Films and the Culture of the Kawaii

Thorsten Botz-Bornstein
Issue 116
...Western directors. The twofold concentration on Wong’s Hong Kong origins on the one hand, and his compatibility with Western cinema on the other, can be explained through Wong’s almost unique...