Article
Eric Méchoulan
Issue 160
...hour behind the fleeting breath G. Share; experience; partake of; have in common When it comes, the Landscape listens — Shadows — hold their breath — H. Inhale deeply; rest...
Article
Eric Méchoulan, Angela Carr
Issue 138
Intermediality has become a fashionable concept: it appears whenever we speak about what we once referred to easily as the medium or media, of systems and apparatuses, mises en scène...
Article
Julian Murphet
Issue 117
...preponderance today of a public pity for what is here posed only in the subjunctive. It is a pity about which a veritable war has been waged for two centuries...
Article
Razvan Amironesei
Issue 148
I will begin with the end. Marcel Hénaff’s sudden death in June 2018 opened a space of silence and surely did not prepare me to speak or write publicly about...
Article
Nathalie Rachlin, Rosemarie Scullion
Issue 133
...the French Resistance to the Nazi Occupation and to rise to the defense of freedom, democracy and social justice, the values for which his generation fought so valiantly. Almost a...
Article
Kenneth Surin
Issue 161
...capital, a notion derived from Pierre Bourdieu; and “networks of feeling” (5n), a term the author borrowed from Raymond Williams. Demers observes, for example, that there was a relay or...
Article
Anne-Sophie Milon, Jan Zalasiewicz
Issue 162
...for many paleontologists been a blessedly human-free zone, detached from the busy realities of our everyday lives. The science of paleontology, though, is simply one obscure part of a burgeoning...
Article
Joanne Faulkner
Issue 132
...complexly overdetermined by a variety of adult exigencies, desires, and crises which, once exposed to scrutiny, may become less self-evident—even questionable. As a virtue, innocence is not cultivated through self-discipline,...
Article
Anthony Mellors
Issue 130
...what she sees as a wasteland of lumpen, non-productive whingers. Yet her epic free-market fantasy centers on a utopia populated by refuseniks—industrialists, bankers, academics, engineers, artists—who have fled to a...
Article
Hunter Vaughan
Issue 129
...memory-free instant of the passing image. This is the cinema, our world with cinema in it, our cinematic experience, according to Jean-Louis Schefer. In the enigmatic tone and unorthodox style...
Article
Thangam Ravindranathan
Issue 157
...to produce, as the condition and obverse of all in the world that is beautiful and comfortable (i.e., giving one a sense of security, identity, freedom, opportunity, growth, meaning), another...
Article
Christine Daigle
Issue 142
Scholars have often taken Foucault by his words and insisted that his philosophy is completely at odds and opposed to Sartre’s—and Beauvoir’s—existentialism. However, it is my contention that Foucault’s own...
Article
Melanie White
Issue 134
...law, rights, justice, freedom and morality. For Émile Durkheim, founder of the French sociological tradition, the question of society is one such great question.1 Indeed, it was the question for...
Article
Zahava Caspi
Issue 131
The present article will examine this constant tension between the dangerously seductive power of the apocalyptic aesthetic, on the one hand, and the inherently ethical intent of apocalyptic art, on...
Article
Chantal Jaquet
Issue 160
...woman’s scent, which re-enchants his morose universe, dazzles him with its brilliance and eclipses vision by taking possession of its attributes. It is only afterward that he begins to examine...
Article
Ryan Prewitt, Max Accardi
Issue 161
...the digital age has accelerated the process through examples ranging from medieval saints to Lenin’s mausoleum to the Tupac hologram. It then examines cultural necromancy’s implications for counterculture and resistance....
Article
Christopher Norris
Issue 163
Here I look at sundry aspects of the current controversy about Generative AI and, in particular, the implications of this new and rapidly evolving technology for poetry, the arts, and...
Article
Mikkel Krause Frantzen
Issue 151
...and the latest news: Europe’s taxpayers have been swindled of €55 billion, as revealed by the so-called #CumExFiles. So the old question bears repeating: What is to be done? Or,...
Article
Leah Vonderheide
Issue 143
Varda’s longtime moniker, “Grandmother” of the French New Wave, conjures the image of a “little old woman, pleasantly plump and talkative”–a description that Varda herself uses in Les Plages d’Agnès...
Article
Denis M. Provencher
Issue 116
In his latest book, Jean-Pierre Boulé provides a fresh look at Sartre by conducting a reading of the author’s life and work that focuses on the construction of selfhood and...
Article
John Carvalho
Issue 118
...longer understood as a set of practices derived from the alleged interests that belong to a set of ready-made subjects,” Butler writes, “a new configuration of politics would surely emerge...
Article
Louis Betty
Issue 127
La carte et le territoire, winner of the 2010 Prix Goncourt and Michel Houellebecq’s first novel since La possibilité d’une île in 2005, may be the author’s most compelling work...
Article
Peter Poiana
Issue 119
...narratives, Company, Ill Seen Ill Said and Worstward Ho gave rise to a similar controversy. When John Calder first published the three prose texts in Britain under the single title...
Article
Zahi Zalloua
Issue 120
The late twentieth century witnessed unprecedented attention to ethics in literary studies. The notion of an “Ethical Turn” was in fact coined to attest to this burgeoning academic interest. Unfortunately...
Article
David Herman
Issue 124
In Nick Abadzis’s Laika (2007), a graphic narrative based on historical events surrounding the use of dogs as “test pilots” in the early days of the Soviet space program, the...
Article
Erica O'Neill
Issue 149
John H. Muse’s Microdramas: Crucibles for Theatre and Time examines the production of short plays across the history of Western theatre practice, from the late-nineteenth century to contemporary performance. Categorizing...
Article
Martin Savransky
Issue 145
In what may seem like an uncharacteristic passage by someone who otherwise described himself as the typical example of the Victorian Englishman, Alfred North Whitehead once wrote that “[t]he notion...
Article
Dinesh Joseph Wadiwel
Issue 134
...significantly impact the research questions posed by some disciplines. Political philosophy is one example of this. Although recently we have seen the emergence of new work in this area from...
Article
Jared Gardner
Issue 124
...narrative, for example, one could have imagined narrative theory beating a hasty retreat. After all, as Metz reminds us, film is not a language system; it has no easy equivalent...
Article
Kelley Conway
Issue 133
...really a French film or a Warner Brothers’ film, the “national” in French national cinema was complicated. And yet a quick glance at the course offerings of most film departments...
Article
Rita Charon
Issue 159
Life-writing combines, collates, or colludes many lives into one text. No work of fiction, biography, poetry, drama, memoir, journaling, blogging, or autobiography—all of them life-writing—does not do this, either blatantly...
Article
Vincent Bruyere
Issue 157
...IV proposes a complete replica integrated within an interactive museum environment. The replication project continues: Chauvet II in 2015; Cosquer II in 2022. How these replicas were built is well...
Article
Wen Yongchao
Issue 154
4E cognition (embodied, embedded, extended and enactive cognition) is the defining feature of second-generation cognitive science, which replaces a computer-like cognitive processing model with one that highlights the interactive dynamism...
Article
Ara H. Merjian
Issue 153
...history yet simultaneously alien to it – that figures prominently in Pasolini’s aesthetics throughout the period: the African-American community and its particular cultural and counter-cultural expressions. By virtue of the...
Article
Danielle Sands
Issue 153
In this article, I examine Bruno Latour and Isabelle Stengers’s recent writings on Gaia, the mythological goddess repurposed in the 1970s by James Lovelock and Lynn Margulis as geobiological trope....
Article
Christopher Norris
Issue 149
Mechanical reproduction emancipates the work of art from its parasitical dependence on ritual . . . . From a photographic negative, for example, one can make any number of prints;...
Article
Eran Dorfman
Issue 144
...said, ‘you shall examine’” (320d). So Epimetheus distributed to each animal qualities according to a principle of equilibrium and compensation, each becoming either swift or strong, skilled or large, and...
Article
Johanna M. Wagner
Issue 139
In criticism of Edith Wharton’s The House of Mirth, more attention has been paid in recent years to the unconventional side of Lily Bart. Wai-Chee Dimock, for example, calls Lily...
Article
Laurence M. Porter
Issue 136
...or film. His main examples, in path-breaking analyses of George Eliot’s Middlemarch and Charles Dickens’s Little Dorrit, come from nineteenth-century British literature, but they should inspire studies in other areas....
Article
Paul Patton
Issue 134
...pace that allows not only for frequent mention of things to be discussed (for example, that the reason of the strongest is always the best), but also for looping back...
Article
David Wills
Issue 134
...a writing that attempts to address what we call current events, particularly an academic writing—as distinct, for example, from journalistic writing—whose rhythms of composition and publication obey particular protocols and...
Article
John Champagne
Issue 134
...critical practice will be adequate to the political commitments that inspire it” (2-3). Wiegman’s book is an attempt to do so. The remainder of the book is divided into chapters...
Article
Katey Castellano
Issue 125
...lost harmony between humans and nature” (229). Foreseeing that the rise and progress of industrial modernity might irreversibly erode both the landscape and local communities, Romantic literature questions humanistic, technological...
Article
Rosemarie Scullion
Issue 133
In his recent article “Jean Renoir’s Timely Lessons for Europe,” New York Times film critic A.O. Scott recalls that when it was released worldwide in 1937, Renoir’s La grande illusion...
Article
Charles F. Altieri
Issue 131
...and acts of expression that display states of mind and feeling but do not describe them. My full case will require a book. That is good news for me but...
Article
Catherine Malabou
Issue 140
Neuroliterature: this word is not a name for a new discipline, which—like neurolinguistics, neuropsychoanalysis, or neurophilosophy—would tend to explain the way in which our mental acts are rooted in biological...
Article
Paul Allen Miller
Issue 120
...of that reflection as the creation of new forms of selfhood, then irony and ironic texts will play a fundamental role in any genuinely ethical work. For irony and the...
Article
Sophie Mayer
Issue 119
...traits of the New Narrative identified with queer leftist writers such as Robert Glück and Dodie Bellamy; in their work, the list works to stop narrative flow. It is often...
Article
Mary Mattingly
Issue 160
Mary Mattingly’s Public Water brings attention to the rarely-seen labor that humans (and non-humans) do to care for New York City’s drinking water. For more about these public art projects,...
Article
Rebecca L. Walkowitz
Issue 160
...of involuntary, inchoate expression in E. M. Forster’s A Room with a View. Like other Bloomsbury artists, Forster was committed to ushering out traditional ideas of self-restraint and maturity and...