Table of Contents
Introduction: The Editors of SubStance
“The Power of a Form of Thought that Has Become Foreign to Itself”: Rancière, Romanticism and the Partage of the Sensible
Kristeva, Stoicism, and the “True Life of Interpretations”
A Note on Deleuze and Renaissance Art
Redeeming Kracauer’s Theory of Film: An Examination of the Importance of Material Aesthetics
Letters for the Blind
Playing with Fire-Space: Site-Specific Placement and the Techno-pharmacology of Maria Irene Fornes’s Mud
The Conventional and the Queer: Lily Bart, An Unlivable Ideal
The Technology of the Question and the Responsibility for Sense
Posing Sex: Prospects for a Perceptual Ethics
Picture of the Elder R.B. in a Prospect of Mortality