Skip to content
Substance
  • Journal
  • At Play
  • About
  • Submissions
Home> Journal> SubStance 133

Issue 133 French Cinema and the Crises of Globalization

Volume 43—No.1—2014
Nathalie Rachlin & Rosemarie Scullion
Table of Contents
  • Introduction: From Engagé to Indigné: French Cinema and the Crises of Globalization

    Nathalie RachlinRosemarie Scullion
  • Olivier Masset-Depasse’s Illégal: How to Narrate Silence and Horror

    Mireille Rosello
  • Hope and Indignation in Fortress Europe: Immigration and Neoliberal Globalization in Contemporary French Cinema

    Will Higbee
  • The Last Working Class City in France: Gheerbrant’s La république Marseille and Post-Global Cinema

    Nathalie Rachlin
  • Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne

    Rosemarie Scullion
  • The Crisis before the Crisis: Reading Films by Laurent Cantet and Jean-Pierre and Luc Dardenne Through the Lens of Debt

    Martin O’Shaughnessy
  • Claire Denis and the World Cinema of Refusal

    Rosalind Galt
  • Responding to Globalization: The Evolution of Agnès Varda

    Kelley Conway
  • Interpreting Intouchables: Competing Transnationalisms in Contemporary French Cinema

    Charlie Michael
  • Tracking the Global through the Local: Slon/Iskra’s Documentaries of Displacement

    Martine Guyot-Bender
  • The Linguistic Return: Deconstruction as Textual Messianism

    Anthony Reynolds
  • Mannerism, Baroque, and Modernism: Deleuze and the Essence of Art

    Sjoerd van Tuinen
  • The Mother of Us All?

    Kevin Kopelson
  • Journal
  • At Play
  • About
  • Submissions
  • Site Credits