Dispositive, Intermediality and Society: Tales of the Bed in Contemporary Spain


The concepts “dispositive” and “intermediality” emerged at the same time and are becoming increasingly prominent. In this article, I propose to consider what intermediality brings to the dispositive, based on a case study of the diptych El Otro Lado de la Cama and Los Dos Lados de la Cama, two mainstream films from contemporary Spain in the early twenty-first century.

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