Table of Contents
Chthonic Restitutions: Madness and Oblivion
‘Pour cet état si particulier’: Disinterest and the Impersonal Resonance of Aesthetic Experience
Ironic Immunity: Proust’s Sustainable Extinction
The Rhythm of Life as an Opening to Sensation in Georges Franju’s Le Sang des bêtes/Blood of the Beasts (1949)
Race, Class, and the Limits of the Analogical Imagination: Pier Paolo Pasolini’s African America
An Uncommon Reader
Gaia Politics, Critique, and the “Planetary Imaginary”